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Nice Article + Interview for NEON CLOUD by THE JAPAN TIMES
It’s that feeling with which “Scar” is imbued: from the nocturnal bleakness of “1″ and its scratching, insectoid percussion, through “22″ — whose looped sounds and unnerving catchiness display the cyclical thinking of melancholy — and ending with “333,” a climax of despair with glimmers of hope…There’s also a distinct feeling of dreaminess within the tracks, something not altogether real, which, considering it deals with intangible emotions, is partly true.ミステリアスな東京のプロデューサーNEON CLOUDがJAPAN TIMESのインタビューでその正体を明らかに。

Nice Article + Interview for NEON CLOUD by THE JAPAN TIMES

It’s that feeling with which “Scar” is imbued: from the nocturnal bleakness of “1″ and its scratching, insectoid percussion, through “22″ — whose looped sounds and unnerving catchiness display the cyclical thinking of melancholy — and ending with “333,” a climax of despair with glimmers of hope…There’s also a distinct feeling of dreaminess within the tracks, something not altogether real, which, considering it deals with intangible emotions, is partly true.

ミステリアスな東京のプロデューサーNEON CLOUDがJAPAN TIMESのインタビューでその正体を明らかに。

Nice Review for NEON CLOUD - Scar by Matinée as HellLa música que Neon Cloud maquila es una que está más cerca de la ambientación con melodías que parecen encontrarse en un punto intermedio entre Purity Ring y Laurel Halo. Con una mezcla de texturas que llevan al escucha a sus entrañas más profundas…En conjunto es un alucinante recorrido por los talentos de Neon Cloud…pero no deja lugar a dudas acerca de su brillante por venir.

Nice Review for NEON CLOUD - Scar by Matinée as Hell

La música que Neon Cloud maquila es una que está más cerca de la ambientación con melodías que parecen encontrarse en un punto intermedio entre Purity Ring y Laurel Halo. Con una mezcla de texturas que llevan al escucha a sus entrañas más profundas…En conjunto es un alucinante recorrido por los talentos de Neon Cloud…pero no deja lugar a dudas acerca de su brillante por venir.

Geskia, Cuushe team up on impressive Neon Cloud by The Japan TimesNEON CLOUD初のインタビューがJAPAN TIMESに掲載されました。謎多きプロジェクトの正体が明らかに。First interview and nice article about NEON CLOUD on THE JAPAN TIMES.

Geskia, Cuushe team up on impressive Neon Cloud by The Japan Times

NEON CLOUD初のインタビューがJAPAN TIMESに掲載されました。謎多きプロジェクトの正体が明らかに。

First interview and nice article about NEON CLOUD on THE JAPAN TIMES.

Nice Review for Neon Cloud – Scar EP by JAC: Department Continuing with the wistful, and atmospheric sound which defined their debut; the four track EP is an idiosyncratic and somewhat amorphous amalgamation of crisp textures, glitchy percussion, and understated lines of empyreal synth, whilst the cryptic vocals echo with an eerie beauty throughout.

Nice Review for Neon Cloud – Scar EP by JAC: Department

Continuing with the wistful, and atmospheric sound which defined their debut; the four track EP is an idiosyncratic and somewhat amorphous amalgamation of crisp textures, glitchy percussion, and understated lines of empyreal synth, whilst the cryptic vocals echo with an eerie beauty throughout.

Nice Review for NEON CLOUD ‘Scar’ by Make Believe MelodiesYet elsewhere, this one finds them trying a few new sounds out. “333″ is the Cuushe-est track yet, utilizing space well before building up to a crowded and disorienting conclusion. Opener “1,” meanwhile, casts Neon Cloud in a Bjork-ready song

Nice Review for NEON CLOUD ‘Scar’ by Make Believe Melodies

Yet elsewhere, this one finds them trying a few new sounds out. “333″ is the Cuushe-est track yet, utilizing space well before building up to a crowded and disorienting conclusion. Opener “1,” meanwhile, casts Neon Cloud in a Bjork-ready song

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